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An old man, rugged but kindly-featured, rises on his entrance, and gazes at him expectantly. Mona, going up to him, rests her hand upon his arm, and, indicating Geoffrey by a gesture, says, in a low tone,— Lady Chetwoode looks at her fan and then at Sir Guy. The duchess, with a grave expression, looks at Lady Rodney. Can her old friend have proved herself unkind to this pretty stranger? Can she have already shown symptoms of that tyrannical temper which, according to the duchess, is Lady Rodney's chief bane? She says nothing, however, but, moving her fan with a beckoning gesture, draws her skirts aside, and motions to Mona, to seat herself beside her. "Great lords are not necessarily faultlessly correct, either on or off the stage," says Geoffrey. "But, just for choice, I prefer them off it. No, that will not do at all. When my mother addresses you, you are to answer her back again in tones even colder than her own, and say——".

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"It is I,—Mona Scully," she calls aloud, when she is within a hundred yards of the hiding-place. "Tim Ryan, come here: I want you." The old man followed close after it, and as he ran along he came to a place where a great clot of blood had fallen from the buffalo's wound. When he came to where this clot of blood was lying on the ground, he stumbled and fell and spilled his arrows out of his quiver, and while he was picking them up he picked up also the clot of blood and hid it in his quiver. "I am indeed dear to you, I think," says Mona, softly and thankfully, growing a little pale through the intensity of her emotion. "I dare say it is; but the fact remains. I don't know what is the matter with me. It is a barren feeling,—a longing, it may be, for something I can never obtain.".